Through the vivid interior worlds of two unforgettable characters, Elena Medel brings a half century of the feminist movement to life, revealing how little has really changed for women who work the night shift. 

Winner of the prestigious Francisco Umbral Prize for Book of the Year and already a sensation in Spain, The Wonders follows María and Alicia through the streets of Madrid, from job to job and apartment to apartment, as they search for meaning and stability, unknowingly tracing each other’s footfalls across time. 

María moved to the city in 1969, leaving her daughter with her family but hoping to save enough to take care of her one day. She worked as a housekeeper, a caregiver, a cleaner—somehow always taking care of someone else. Two generations later, during the Women’s March in 2018, Alicia was working at the snack shop in the Atocha train station when it overflowed with protesters and strikers. Women, so many women, were flooding the streets with their signs and chants. She couldn’t have known María was among them; she was on the clock. And later, she’d be looking for someone else, a man to take her away for a few hours, to make her forget. Anyone but her husband, with his pleas to go on bike rides together, to have children, to act like the other thirtysomething couples they knew. 

Medel’s lyrical sensibility reveals her roots as a poet, but her fast-paced and expansive storytelling show she’s a novelist ahead of her time. With grit, texture, and mesmerizing prose, The Wonders launches an inimitable new voice in fiction.

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Elena Medel is a Spanish poet and the founder and publisher of La Bella Varsovia, an independent poetry publishing house. Medel was the first woman ever to win the prestigious Francisco Umbral Prize, for her debut novel The Wonders, which was also longlisted for the Finestres Award and has been translated into fifteen languages. She published her prizewinning first collection of poetry, My First Bikini, when she was sixteen years old.

Lizzie Davis is a translator and an editor at Coffee House Press. She has translated Elena Medel’s poetry collection My First Bikini, Juan Cárdenas’s Ornamental (a finalist for the 2021 PEN Translation Prize), and work by Valeria Luiselli, Pilar Fraile Amador, and Aura García-Junco. Her work has appeared in the Paris Review, Granta, and other publications.